Tuesday, December 15, 2009
Friday, December 11, 2009
Primal Typing Therapy
EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!
AAAAAAAAAAAAAAAAAAAAAAAAAGGGGGGGGGGGGGHHHHHHHHHHHHHHH!
HEUIYR5NCYDNCPUZNYA8O;WYCBZY;DCHA;HCBO'VECFUOBLUICYTXOY;RGIBYR!
* * * *
[and breathe]
Wednesday, December 09, 2009
Then a few weeks ago, purely by chance, I met Alan Bennett! I can't even begin to to sum up in normal language how amazing this is. I have a sort of vague hierarchy of people I admire, which is a somewhat eclectic mix featuring the likes of Michael Palin, Desmond Tutu and Morrissey. But Alan Bennett would probably be right at the top.
I've loved Alan Bennett since I was a very small child. Being a good Northerner and the daughter of one good Northerner (and one good Southerner with very well honed literary tastes) one of the things I remember as a very small child is listening to Alan Bennett reading the Winnie the Pooh stories in that perfect and unique voice of his. Thus begun a sort of addiction.
Anyhow, having devoured everything of his I could the older I got, I eventually wrote to him a few years ago after my grandmother died. This sounds perhaps a little odd, but I'd just read "Untold Stories" and a lot of the things he wrote about his mum and her dementia rang true, so I wrote to say thank you, and to share a little piece of quintessentially Northern humour (when we drew up to meet the hearse on the day of the funeral my dad somewhat bizarrely asked the undertaker "How's business?" and he replied "Oh great! We've had two new ones come in last night!" Then we buried by granny.) It never occurred to me he'd write back, but he did - a little postcard thanking me for the letter, and including a brief anecdote about Thora Hird. Apparently he does this, and I think that's lovely. Anyway, I was coming home from work unusually early - about 4.30 - and was on the tube - also unusual. I was plugged into my iPod and happily dousing myself in a spot of Morrissey when I glanced down the carriage and most probably physically jumped in my seat when I saw him sitting a few seats away. I agonised very brielfy about leaping up and saying hello, because he was engrossed in the Guardian (I was relieved to see he reads the Guardian) and didn't give the air of someone who wanted to be disturbed. Rightly or wrongly, I decided I couldn't pass up on the opportunity to say hello, so I sidled up to him and apologetically said that he'd written to me a few years ago and that I wanted to say thank you.
"What did you write to me about?"
I told him and he smiled politely - I suspect he didn't remember. So I elaborated, told him my grandma was from Bradford, and that his stories rang nostaglic bells with our family.
"Are you from Bradford?"
Sort of, I said, but I'd moved. I wasn't really from anywhere...
He sympathised, and we talked a little bit about accents, because both our accents were considerably more Northern by this part of the conversation than they had been at the beginning. We don't fit anywhere - Southerners think we're Northern, and Northerners think we're Dead Posh.
I got off at Goodge Street, which wasn't my stop but I didn't want to disturb him any longer, but I hope the conversation didn't irritate him. He came across as a truly lovely, quiet and self-effacing sort of person who liked anonymity, but I hope, in this instance, being recognised was a pleasure and not a trial, and that he understood how appreciated and admired as he is by an awful lot of people, it's just I happened to be the person with few enough inhibitions to toddle up and say so.
Sunday, December 06, 2009
If It's Wednesday It Must Be Jerusalem
- Return to the bus, and it's onwards to the next place on the list, where, invariably, there's another church built by an Italian, a garden tended by Franciscan monks and a couvenir shop run by Johnny, "the greatest woodcarver not only in Bethlehem, but in the whole world." In Cana we are told categorically that this was not the same Cana where water was turned into wine - that Cana was destroyed was destroyed centuries ago by an earthquake. But you can still buy wine by the gallon in its many gift shops. We sampled some of their pomegranate wine - I'm afraid I cannot recommend it.
Saturday, November 28, 2009
O Little Town of Bethlehem
Bethlehem was so alien to me in many ways as to make Arkansas look vaguely normal. A city of massive contradictions, it isn't the Little Town still-lying under starry skies that you imagine from the hymns and charity cards. This image is even less appropriate these days, when the city is encircled by a huge, ugly concrete wall which the powers that be laughingly call, with a grasp of PR that would impress even Peter Mandelson, the "Peace Wall". This peace wall means that those residents who've even managed to get permits to allow them to leave need to queue for several hours daily at the checkpoints just to be allowed to go to work, so they can earn money to pay taxes, most of which the city never sees. Under the guise of peace, the army is stopping Palestinians from even accessing and thus being able to harvest the olive groves - one of Bethlehem's main sources of income given the products (oil, wood etc) that come from them. Much like the Berlin wall, the wall is gradually being daubed by all sorts of grafitti, from an original Banksy to the undecorated yet dryly witty "Can we have our ball back, please?"
At the same time, though, the wall afforded me one of my more poignant moments of the trip (the somewhat less than poignant I'll come to later.) We had kept silent - a whole bus of us - as we approached the checkpoint out of the city and into Jerusalem, a sort of act of prayerful solidarity with the Palestinians, for whom the queuing is the easy bit. Absorbed in a sort of easy "goody versus baddy" analysis of the whole situation I gazed out of the window, not looking at anything particular. A young soldier with a huge gun hung across his chest, who looked younger than most of my students, gazed back at me. He smiled. I smiled back. As we pulled away and through the gates, he waved. I waved back. A tiny gesture to relieve the monotony of his day, but a little human glimmer of hope in a deeply depressing situation. Of course, they have conscription here, and the kid must have been 18 or 19, and this whole state of affairs is not his fault.
Downtown Bethlehem isn't exactly kicking. A trip venturing out one evening found us heckled twice by shopkeepers who leapt from their front rooms-cum-storefronts as we moseyed past at nine in the evening. The first, who seemed to run some sort of corner shop from an easy chair, shouted after us "You English? You want beer?" We declined and walked a little further up the street, only to be heckled by another store owner who stood in the door of his souvenir shop brandishing an olive wood nativity scene and calling excitedly "You Irish? You want Virgin Mary?"
Our trip into the centre of town encountered little excitement, except an ominous chain cafe that on closer inspection turned out to be called "Stars and Bucks" (the West Bank is happily free from Americanisation, though possibly for the wrong reasons) and a huge Christmas shop that seemed to be open all night and sold the sort of articles you'd buy with a sense of irony even in the mid-70s. Disturbing and garish singing plastic Santas adorned the shop front, strobe lighting attacked the road in front, and a Disneyfied voice loudly rang out with the Twelve Days of Christmas. It was therefore with a certain amount of relief that we stumbled upon Afteem, just off Manger Square, a gloriuos family-run restaurant with no menu, where they bring you what happens to be going down that day. In our case this was real hummus, falafel, salad and lamb kofte to die for, washed down with genuine Palestinian beer (which against all expectation I'd highly recommend, despite the fact it's advertised by a bloke who looks like Borat) Afteem restored my faith in what had appeared during the day to be a sad, down-on-its-luck tourist trap which my inner-Marxist had been brooding on throughout the trip. It was friendly, cheerful, the food was awesome. Oh, and they have their own Facebook group. It seemed like one of many glimmers of optimism in a surprisingly optimistic city, one of the others being the Bethlehem Arab Society of Rehabiltation - an astounding organisation relying largely on outside aid but serving the local community, specialising in rehabilitation and training for disabled members of a society that often shuns them. The centre carries out operations, provides treatment, consultations, support, rehabilitation, training and work opportunities, day centres, nurseries, outreach and crisis internvention. In short, it's a shining miracle in what we shouldn't forget is this most holy of cities.
And so, onwards, through the checkpoint. We're leaving Bethlehem behind - counting our blessings that we're able to leave at all.
Monday, November 16, 2009
Those were the days, my friend/We thought they'd never end

Yesterday, someone I knew a long time ago, at school, died. Last year, days after I'd got engaged, and while I was wrapped up in my own little bubble of self-satisfaction, someone else I knew from school, from the same group of friends, also died. I felt on both occasions somewhat unworthy of feeling any sort of grief - guilty for not having kept in touch other than through the odd Facebook message and occasional running into each other at a mutual friend's party; a fear of being swept into a drama of something in which I had no part to play except perhaps a fleeting cameo. Then I found a photograph from ten years ago, and I cried my eyes out.
So here's the cameo. What this has made me realise is how the ripples of someone's life can have such a huge impact on so many people. Yesterday loads upon loads of people who knew Will posted comments on his Facebook page, ranging from heartbreaking to the frankly ridiculous. All of those people knew him; a normal, nice bloke, he'd made an impact on every single one.
I realised when I looked at that picture - which I'll come to in a minute - that in an odd and not wholly melodramatic way I owe my existence to those two guys. This isn't for some deeply symbolic reason; I never dated either (though I may have wanted to, but that's another story), and neither of them talked me down off a bridge or pushed me out of the way of an oncoming car. Nothing like that. It's just that they were there.
I fell into my sixth form days battered and bruised and brimming with teenage angst that would make Morrissey blush. I'd left a small island, much of my family, my lack of real friends (bar one or two) and a miserable few years at an all-girls secondary school I hated, and arrived on this huge, shining campus with its own golf course populated by malevolent, designer-clad youths who screamed with laughter at any hint of a Northern accent, or if you hadn't heard of Armani, who innocuously asked you the price of your ball dress knowing full well it came off the peg in Marks while theirs was - ahem - Prada. It was a mix of those who were very, very good at things - the Sports and Arts scholars, the Chinese academics, the National Youth Orchestra Violinists - those who had been told they were very, very good at things, and those who didn't need to be good at anything, because Daddy was paying and would pay until he died and passed on the inheritance. And in the midst of this 3 lovely normal guys and one loveable intellectual, all a full year above me, scooped me up andindulged me for a whole year. This was the best year of my life.
I realise now how much I owe to all of them, not least because one of them is now one of my closest friends. These beautiful blokes' blokes danced with me at the school ball; they came to my concerts. Guys who hung out together on epic treks (they did the Ten Tors challenge and talked of joining the army - and did) listened to me babble on about saving the world, socialism, and my "band" (Lapsang - 'nuff said), and gently took the piss out of my vegetarianism, misguided attempts at Marxism, and the undercover relationship everyone was convinced I was having with the budding author in our group. While the School's elite and the resident tormenters bore down on you from the Rep Step and skulked around the quad, we occupied our very own table... in the library. We talked about The Now Show, and we plotted against the new headmaster, a chap who made us laugh so much it hurt when he condemned his students for "unseemly displays of affection" and told us he didn't like to think of our new outfits as a uniform, rather "a dress code with compulsory elements". We were the Resistance, our own brand of revolutionaries. Only we really knew what was going on. I have it on record. Dom, in my leaver's book, wrote "I hope you survive another year of Mr P and all the other cronies plotting against the school. Good luck in your crusades about whatever the next peaceful demonstration is about. Anyway, have fun."
And I did have fun. I had so much fun. This was truly the best year of my life. For the first time I can remember, I felt challenged, wanted, cajoled, supported - I felt happy. When they left I was able to stand a little taller, feel a bit more confident. I got on with stuff, though stuff was never that good again.
And I found the picture. On their last day of school before A level study leave, with me, their token girl and protegee looking on in giggles, a giant pink bedsheet appeared hung from a window high up in the theatre, and on it massive letters for all to see, some reference, I presume, to our Head/Dictator, as we saw it: "Cheer up, the worst is yet to come. From the class of '99".
Cheer up, the worst is yet to come.
There were five of us. Now, disparate and floundering, there are three. Will and Dom - I now realise how much I owe to you both. I love you and I miss you. Thank you.
Monday, September 21, 2009
Monday, August 10, 2009
House Hunting
So we chose Isleworth.
I don't know if you've ever been to Isleworth, or if you did then quite possibly you didn't notice. I did Elby a great disservice when I described it as "somewhere you drive through on the way to somewhere else and think, it's a nice little place, but you wouldn't want to live there." Granted Elby is fictional, but it's made more of an impact on me that Isleworth, which, unimpressively, actually exists.
This rather explains how we came about choosing it. It's not that we're actively looking for somewhere with as much flair and excitement as (*in-joke alert*) England's number 3 batsman, it's just that we can't afford to flirt with its altogether more interesting neighbours. What's amusing about Isleworth is that even the Estate Agents don't bother to keep up the bullshit for very long.
"It's a lovely quiet area," she lies, shouting above the roar of an enormous jumbo jet that is so low in the sky that if people waved at us out of its windows we might actually wave back. Our chosen road is not just in the flight path - one spot of unexpected turbulence and we could end up with our roof taken off.
"Apart from the fact you're in the flight path," I point out, unncessarily.
We change the subject.
"What's the area like?"
"It's great!" she enthuses. "I've lived here all my life. You have Twickenham down there, Richmond just over there, and trains into central London every fifteen minutes".
So Isleworth's biggest selling point is that it's quite near to other places which are not Isleworth.
"What about the immediate area?"
She looks as though she was hoping I wouldn't ask that.
"Well..." she pauses, clearly, thinking on her feet, then brightly says "Over there is Hounslow bus garage."
Well that's good.
"Are there any supermarkets? I mean, even a little Tesco or a Sainsbury's or something?"
"There's a Morrisons in Brentford."
A clincher if ever there was one.
"Ooh!" she brightens. "There's a Spar on London Road!"
It gets better!
"Any other shops?"
"Not really. "She thinks, then says "I work in Domino's Pizza on Saturday."
I don't know if this is an attempt to answer the question or change the subject.
What she hasn't mentioned is the sewage works to the south. Things didn't get so dire that she felt she had to play this up as some sort of modernist water feature.
The house is beautiful - a 3-bedroom terraced cottage with a huge open-plan lounge/dining room - the sort of house that would fetch a million or so in Pimlico when you have a few more selling points than a suburban bus depot and escape routes to racier climes. We can just about afford it. But, to my shame, I don't think I can quite come to terms with being one of those smugly-married home-owning types that, when friends invite you to those sorts of dos smugly married home-owning types go to the best you can do to keep up appearances as they wax lyrical about their local famers' market, Montossori nursery and art house cinema is "We've got our own brach of Spar. And did you know there was a Morrisons in Brentford?"
Tuesday, August 04, 2009
Music To Top Yourself By
1. Climbing to the Moon - Eels (My favourite track)
2. Alone, Jealous and Stoned - The Secret Machines
3. Try Not To Breathe - REM
4. I Am Stretched On Your Grave - Kate Rusby (there are lots of versions but this is by far the best)
5. Please, Please, Please Let Me Get What I Want - The Smiths (my second favourite track)
6. Fallen - Sarah McLachlan
7. Asleep - The Smiths (yeah, Moz and co are quite good for this sort of thing)
8. The Drugs Don't Work - The Verve
9. Hallelujah - Leonard Cohen (again there are lots of versions, but if you want melancholy you can't beat this one.)
10. Unloveable - The Smiths
11. Where the Wild Roses Grow - Nick Cave and the Bad Seeds with Kylie Minogue
12. Days - Kirsty McColl (better than the Kinks version for this purpose)
and finally, so such list would be complete without...
13. Creep - Radiohead
13 seemed an appropriate number to stop, though I realise I'm Joy Division-less...
Apparently CD sales are tumbling - maybe they should be looking to me for ideas? Or not...
I'm now off to play myself at Tennis on the Wii, as I'm home alone. Can you think of a more tragic scenario than that?
Saturday, April 04, 2009
Barcelona - such a beautiful horizon
I like Barcelona a lot. I like it all the more because, since its first free elections in 1976, it's always had a socialist government. For Barcelona is, for some reason to my surprise, a very socialist city. Its infrastructure is faultless - it costs a mere E1.75 for a single journey on the Metro (against London's £4) and a huge digital display counts down the time until the next train second by second, and when it appears on the platform as the display triumphantly counts 5 - 4 - 3 -2 -1 it is sparklingly clean. The city seems to work well for the people who live there - the streets are kept clean and well provided with street lights, post boxes and bins (though we fear we may have posted our postcards into a bin by accident.) In contrast, though there is an awful lot on offer for tourists, a large proportion of it seemed to be out of order when we were there. We tried to go up in a cable car, but were told we couldn't because the lift was broken; determined to get a view of some sort we opted to climb the monument (a huge statue of Columbus) instead, but were told we couldn't, because the lift was broken. Worryingly, on asking if we could climb the stairs, we were told there weren't any, which made me hope that the lift didn't break while people were actually at the top.
Feeling a little desperate, and being pissed on by rain of an intensity that makes the North West look like the Sahara, we got the Metro and Funicular (which incidentally is integrated into the normal public transport network - I LOVE this city!) to the top of Montjuic to have a nosey round the Olympic Stadium, which is accessible to the public and, like a lot of things in Barcelona, entirely free, in the hope that you will buy a luminous pink plastic Sagrada Familia in its compulsory gift shop on your way out. (Paul - you'd better appreciate that one - possibly the best yet at a mere E1.90 and surely worth every penny!)
But by far the most enjoyable and intriguing tourist attraction in Barcelona is one that didn't seem to feature in any guide books, and into which we stumbled to escape the persistent downpour. The Olympics Museum in Barcelona is basically a collection of all the pieces of random memorabilia that didn't make it to the official Olympics Museum in Lausanne, proudly displayed alongside detailed descriptions written entirely by Marxists. Next to pairs of trainers signed by the likes of Linford Christie huge boards triumphantly declare that the re-introduction of the Olympics in 1892 was a result of the "Workers' Struggle" - now that the Workers (always written with a capital W) were enjoying better diets, living conditions and something approaching leisure time, sport was no longer "the preserve of the ruling classes". To further illustrate this a few exhibits along there was, inexplicably, a picture of Leeds United and underneath the explanation "football started out as a game played exclusively by the ruling classes, but has since become the sport most intrinsically linked with the Workers." There follows a not insubstantial detour into the history of Barca, Barcelona's revered Catalan side. Nowhere does it even attempt to claim that this bears any relevence to the Olympics, but that doesn't seem to matter. In another part of the museum, one of the best-kept displays is one entitled "The History of Catalan Sport", which features extensive information and photographic acompaniment on the delights of Petanque, which I don't recall ever having featured in the Olympics.
Among the many displays are some interesting exhibits including the sets of medals from each Games (I didn't realise each games had its own unique medal designs, and I would agree with the creators of the museum that the Catalan - not Spanish - designed medals of '92 are among the most impressive) and a seemingly random collection of Olympic torches, including (though the display doesn't mention it) the 2008 torch which was almost wrestled out of Connie Huq's hands.
A little way down the hill from the museum is the Fundacio Joan Miro - a gallery dedicated to an artist who honed the art of ripping the piss long before Tracy Emin got up one morning and decided she couldn't be arsed to tidy her bedroom. Most of the exhibits on the ground floor apparently symbolise Womanhood, that is to say, they all include shapes that look a bit like vaginas and those that don't are basically large phalluses. On the first floor there are some very beautiful pictures that would definitely not make it through to the Turner Prize, a whole room of paintings that look like to bored doodlings of someone who is supposed to be taking the minutes for the Points Based System Working Group and the ultimate piece, about which the person on the pre-recorded guided tour is a little too enthusiastic: three big white canvasses each bearing.... a wobbly line. Apparently it took Miro many years and much heartache to get the wobly lines just right (see how they don't touch the edge of the canvas? That's dead significant, is that. Nobody's quite sure why it's significant, but definitely is significant.) Slightly unconvincingly, the voice on my headset (which is so precious to the Foundation that I had to leave my passport at the desk before I could have one) stresses ot me that the art in front of me is not simply the wobbly lines, but the fact that Miro "contemplated" them for many years after their conception.
Contemplated my arse.
One of the main problems I have when going abroad, unadventurous English person that I am, is the food - both identifying it and daring to it eat, as well as figuring out how to actually order it. Our Hotel - the rather nice Catalonia Corsega, which is on the southern edges of the villagey Gracia district comfortingly far away from the tourist traps of the Ramblas yet a mere 10-minute walk from the gloriously wonderful Casa Mila (La Pedrera) - takes guests' suggestions and criticisms very seriously, and as a consequence offer an "English Breakfast", because British people were disappointed at being expected to eat what the Catalans eat while in Catalonia. The result is as though someone English has described an English breakfast in detail to a bemused Catalan chef who has never actually seen one, but has tried to faithfully reproduce what he has been told about. What he reproduced was fat-dripping Serrano-style ham burnt to a cinder, "sausages" which looked like the rubbery mini-frankfurters you get out of a tin, also burnt to a cinder, some very watery-looking scrambled egg and a valiant attempt to recreate baked beans in a country where you can't simply by them in a tin. It remains untouched, and we feast on an array of meats, cheese and chocolate-filled pastries and lots and lots of gritty, strong coffee.
There are elements of genuine local cuisine though that are just a step too far. It seems to me that all "local delicacies" consist of bits of animal intestine you would never otherwise dream of eating, and I sometimes suspect it is a ruse of guidebook-writers to cajole people from Wolverhampton into eating a sheep's stomach lining or (in the case of Catalonia) marinaded pigs trotters. Deliberately choosing restaurants that didn't have faded 80s-esque photographs of the delights on offer, we did run the risk of inadvertantly landing ourselves with a duck's colon or horse's bladder, but fortunately the ended up with huge pieces of steak cooked to perfection, cheese croquettes to die for, and lots and lots of pastry-based items involving lashings of dark chocolate.
But the highlight of the trip for my mother? We sat next to Delia Smith on the train, and listened to a frankly disappointing conversation she had with her husband regarding the layout of their couchette. On my return my mother had one question: not what was the best part of Barcelona? Or, did you visit the Sagrada Familia? No, "What did Delia Smith have to eat?"
Veal, since you ask.
